August 2010
44 posts
5 tags
Aug 1st
12 notes
July 2010
30 posts
4 tags
“By and large, Britpop was music that accorded with Damon Albarn’s...”
– John Harris, Britpop!: Cool Britannia and the Spectacular Demise of English Rock, on building the Britpop brand.
Jul 31st
5 notes
4 tags
Jul 30th
3 tags
5 hours, 54 minutes and counting →
Jul 29th
1 note
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Jul 29th
17 notes
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“I liked her calmness, her unruffled sense of herself, her way of standing as if...”
– Steven Millhauser, “The white glove” After I finish A reliable wife (tonight, hopefully), I’m going to read something by Millhauser. Martin Dressler makes my long list of favorite novels and I don’t know another contemporary fiction writer so enchanting—mesmerizing,...
Jul 28th
9 notes
6 tags
Jul 28th
5 tags
Jul 28th
3 notes
6 tags
Jul 27th
1 note
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Jul 27th
1 note
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Jul 26th
96 notes
4 tags
Jul 26th
16 notes
6 tags
Jul 26th
5 notes
4 tags
“Here we find power pop: at the point where the sincere jangle and thump of two...”
– Michael Chabon, “Tragic magic: Reflections on power pop”
Jul 24th
5 tags
Jul 23rd
4 notes
4 tags
Enid Blyton's Famous Five get 21st-century... →
prettybooks: This is awful. Children will read them; they won’t be lost. I will MAKE them. If children do not know what “jolly” means they could, you know, ASK SOMEONE? OR LOOK IT UP MAYBE? Nooooo, this is so wrong! (coming from perhaps the only American who bought that recent Blyton bio. no, haven’t read it yet. the type is really, really small.)
Jul 23rd
4 notes
4 tags
Budget Fashionistas: On Integrity vs. Opportunity,... →
natepatrin: My interest in defending Pitchfork is partially self-preservational: I don’t like it when people get weird guilt-by-association ideas of who I am and where my tastes are supposed to come from based solely on the fact that my byline appears on a site that has an overinflated reputation. Amen. Flashback to the other day when the PRR kid (hi dude!) flogged an intro of one of my...
Jul 23rd
77 notes
4 tags
Jul 22nd
6 tags
“In the visual arts anxiety about authenticity is endemic for good reasons...”
– Peter Campbell, “At the National Gallery,” London Review of Books I don’t know if this is specific to visual art, but it does require a corpse, an artist who isn’t still in the process of shaping, say, what “a Damien Hirst” means (and seriously, Hirst may want to...
Jul 22nd
10 notes
5 tags
Jul 15th
6 notes
6 tags
Jul 12th
2 notes
6 tags
Jul 11th
3 tags
Apropos of, oh, nothing
But if you respond to reasonable criticism (even if you spot logic holes the size of Kansas or don’t personally identify with its ideological stance or are trying to, as HRO would say, promote your personal brand) with JEALOUS JEALOUS YOU’RE JUST JEALOUS!!! you should be banned from writing another “think piece” until you’re ready to join the grown-ups. Jealous is the...
Jul 7th
5 notes
5 tags
Jul 7th
6 notes
7 tags
Jul 7th
4 tags
Liz Phair, rapping →
Bollywood: I can’t even come up with a convincing contrarian reading.
Jul 6th
6 tags
“There is no ambiguity in “To Kill a Mockingbird”; at the end of the...”
– Allen Barra in the WSJ. Seems pretty obvious to point out how obvious this book is and sort of lazy not to try to understand its appeal beyond its congratulatory messages and easy-to-parse prose. High school kids—and the millions of adults who regularly reread the book and rewatch the...
Jul 6th
11 notes
6 tags
Jul 2nd
21 notes
3 tags
Jul 2nd
5 tags
“The qualities that make a ten-year-old a good actor are not those that do the...”
– Bilge Eberi (Bookforum) on the Harry Potter cast
Jul 1st
5 tags
Jul 1st
1 note